This last year has been a bit of a health challenge so sadly I have
not got to comment on my blog or my Twitter to keep in touch with some
great people who think about the world and write and read and let me know what
they are thinking.
Thankfully things are back to normal more or less normal now and I
am reading and writing at last inside my normal writing rhythm and am two
thirds of the way through very the first novella ‘Embarking
1941-1951’ in a trilogy called Lifespan which takes place
between 1941 AD to 2,000 AD. Ambitious? Moi?
So you might say in these months I have only been talking to, and creating
for, myself, and that has had to be enough. But now I am about to spread my
wings and start to sing again. Can’t tell you how good that feels. Like many
writers, writing is not only what I do but who I am. Without writing I am
nothing.
Regular readers here will know I am a great champion of the computer as
a writer’s tool. It’s there alongside the Internet, the network of Libraries,
story telling among friends and family, and a lifelong, well developed
Imagination muscle.
However the the longest lasting and the most unique tools are my ink
pens and my spine-bound notebooks. I have more than forty of these. I can pick
up any notebook and revisit the sheer adventure of building that story which
was published ten years ago.walking alongside my invented characters and
following them wherever they lead me. into darkness and light.
I was wonderful to hear writer Patrick McCabe on BBC’s Book Club
describing his process and insisting that the progress of his novel Butcher
Boy came from inside the writing process and how surprised he
was when certain very dramatic things happened. I can very much identify with
that.
Herein lies the originality and the energy of any good novel, This
is the antithesis of many present day novel - certainly decently
written but rather formulaic and targeted at the widest market
where the first principle is profit. This is not to denigrated my fellow
writers at all. Publishing seems to me to be exhaustively and
exhaustingly market-driven with books seen as products rather than works
of art and skill.
But we write on.
When I was halfway through Embarking 1941-1957 I stopped to make a list
of my characters – names, ages etc, This is so I can keep these imagined facts consistent like the continuity girl on a file. The list came to 25 characters, names and occupations. Admittedly there are only six or seven front line characters. But who knows where they will lead me? Only time will tell.
of my characters – names, ages etc, This is so I can keep these imagined facts consistent like the continuity girl on a file. The list came to 25 characters, names and occupations. Admittedly there are only six or seven front line characters. But who knows where they will lead me? Only time will tell.
More soon …
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