Showing posts with label Avril Joy. Show all posts
Showing posts with label Avril Joy. Show all posts

Saturday, 28 March 2015

Recording Podcasts for Rachel

On Thursday I had a very lovely afternoon before a roaring fire at my house with Avril
Recording our extracts with Rachel
Joy and playwright Rachel Cochrane.

Rachel’s second string is her excellent audio internet site Listenupnorth. Her mission is to get audio versions of writers’ work out there for the world to enjoy. She works with individual writers and writing groups and is about to embark on on a project creating an audio installation inspired by the Nissan Car Factory. She also runs day writing retreats where people can write in peace for a day with no restrictions, domestic or otherwise. A wonderful idea.,

Our own mission on Thursday was  to record  podcasts for Listenupnorth.  Avril read from her excellent Short story collection Millie and Bird  (which she launched last Friday) and  I read extracts from my new novel Writing at the Maison Bleue  (which I will launch on May 1st)


Did you get your invitation to the launch? If not just email me and I will send you one.

It was fun. We embarked on our readings, very much  encouraged by Rachel's calm presence, I felt confident in the knowledge that any stumblings and hesitation would be edited out by Rachel’s audio engineering skills into something much smoother. And it was a good rehearsal for reading similar extracts at the launch.

I am even looking forward to hearing my own twenty minute podcast when it’s ready in a week or so's time/ I will put a link here on Lifetwicetasted so you might like to hear it yourself and tell me what you think..

I chose to read three five-minute extracts from the opening chapters of Writing at the Maison Bleu. The first extract (below)  introduces Joe, the youngest participator in the writing retreat on the banks of the Canal du Midi which has members of all ages, right up the Francine, who is in her eighties.


But first, here is Joe...


Joe

...It was on Giro day when the Award letter came through Joe’s door. He celebrated his award with his girlfriend Lolla at the Black Bull - their usual meeting place on a corner at a decent distance from their respective hostels.
‘A thousand quid? Y..yum! ’ Lolla smacked her pouting lips – not really a pretty sight. ‘We can celebrate on that, Joe.’ For Lolla celebrating meant something serious up her nose or down her throat. At least, thought Joe, she did this in a quiet fashion. She had told him more than once that she hated anything vulgar. There were people around them who were vulgar. And that, she said, was the worst thing in the world.
Joe shook his head. ‘No cash, Loll. Really, like! Says here the Award covers the plane and this place on the river. Sunshine and writing. And talking.’ He frowned. ‘Dunno whether I’ll like that. Talking.’ He grinned, ‘Good job I got a passport.’
His social worker had got him a passport when Jonny Green, a singer who had been in the same care home before his rise to fame, had treated the present generation of kids there to a beach holiday in Spain. In the end Joe had not gone because he’d been in a fight and was seen to have blotted his copybook.
Now Lolla pouted, her eyes gleaming through the long blackened lashes that flapped against her fringe. ‘Not fair, that, Joey. You should see some cash shouldn’t yer? Won the competition didn’t yer?’
Until today he hadn’t talked very much about his writing with Lolla until today The writing was mostly his private thing.
In his heart of hearts Joe agreed with Lolla. He wondered if all the winners of the Room to Write Awards got their prize in vouchers and tickets. Or was it just those who like him  lived in temporary hostels?  Maybe it was like clothes vouchers for the needy.  He knew he was not as needy as some of his other acquaintances. He was lucky. Drugs had turned out to be not his bag. It was a fact that drugs had been pushed onto him in prison when things became hard. And it was true that when he got out he was still using. But he’d been rescued from sliding down that road by a guy called Cragan, whom he met in the Black Bull. Cragan helped him to get off the gear for good. These days even the thought of the gear made him gag. He stuck to bottled beer.
Cragan – a strange, uneasy sort of man - turned out to be some kind of a counsellor or psych. At first Joe thought the older man was hitting on him. After ten minutes in his company it was clear to Joe that he was not. Several conversations with Cragan at the bar of the Black Bull finally convinced Joe that he really didn’t have an addictive personality. He’d just been having a very bad time in his life and was self-medicating.
After a while this made sense to Joe and he just stopped using drugs at all. It took three months but in the end it was like gradually switching on a bright, irritating light and seeing things as they really were. After that Joe felt he could hear, smell and taste like a new-born and life was better.
In those months Joe got himself clean Cragan was a regular here in the Black Bull. A tacit kind of trust grew up between them. In the end Joe began to show Cragan some of his pages, some scribbled in his own hand, some typed on library computers. Then, in the week of their last meeting Cragan had brought him a pile of novels - battered paperbacks, mostly American writers. As he put the pile of books on the stained pub table he told Joe that he was going away to America to take up this job in a psychiatric hospital. Then, out of his bag he pulled a battered laptop computer. ‘Old one, kiddo. Surplus to requirements. Thought you could use it. Save you all those trips to the library.’
Joe was a regular at the library, surfing the Net and transcribing his stories.
After he’d left England Cragan sent Joe the odd email with articles attached but Joe never saw him again. He had settled down, though, read Cragan’s books, line by line; some of them more than once. And as he read them it was as though Cragan were still there, smelling of cigarettes in the Black Bull, and arguing the toss.
Joe felt an affinity with the people in the stories - people getting lost, getting high, grafting on the streets, dreaming their lives away. There were even people like himself, who were fighting to keep their heads above water. All this reading made Joe write like he’d never written before.

‘Joe!’ Lolla was drawing lines in the steam on her cold glass. ‘Can’t see why anybody could get money for a few pages of words,’ she said. ‘Not like me grafting, or you getting coins for playing your guitar at the station, or nothing.’
‘It’s just like grafting with a pencil, Lolla! Lying with intent,’ he said, watching her finger move up and down the glass. Her nails were short and bitten but they gleamed with the residue of blood red polish.
‘Whatever,’ she said, now rubbing her finger up and down the sleeve of her jumper.
‘Whatever! Don’t know that my mate Cragan would see it like that.’
She grinned widely, and her face lit up in that way Joe really liked. ‘Good thing the old boy saw it like he did though, emailing you that competition link all the way from America. An English competition! From America. God bless the Net!’ She lifted her glass, slurped off the last of her lager and looked at him expectantly.
Joe picked up her glass and took it to the bar. He liked Lolla. She was uncomplicated. She liked company and adored chattering away, mostly to or about herself. She didn’t mind the odd sexual roll but was not really needy. She told him frankly when they first met that she could take it or leave it. ‘Mostly I think fucking’s overrated,’ she said firmly. He had the feeling she’d had some bad experiences in that department and left it at that....

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Saturday, 20 December 2014

Travelling Rituals

This time I am not time travelling and not -  this time - travelling abroad but, although I tell myself  will not be writing on this Christmas week away  I still pack my writer's kit and will still look for a place to lay it out.

I identify with Deborah Levey who puts it well in her excellent  Things I Don't Want to Know. Here she is settling in  unpacking for a solitary sojourn in the hills of Majorca. -

'I started to perform the familiar rituals of travelling alone, as I had so often in my life; untangling wires and precariously plugging in the European adaptor with two pins. switching on my computer, charging up my mobile, arranging on the small writing desk the two books and the one notebook I had brought with me...'

If you have not read this book yet you are in for a great treat. Hers is a life worth writing about. Listen to her talking on Avril's blog.

Reading her made me think about my six notebooks that  became the basis for my novel Journey to Moscow. You can read about them HERE I think I will pack the lot. 

Despite not being alone and having wonderful food and great books in fine company suspect I could still get that itch to write, couldn't I?




You might like this post on notebooks.

Tuesday, 19 August 2014

The Evolution of Paulie’s Web ( Now on Special Kindle Offer)

The Meeting

I first met my friend and RoomtoWrite collaborator, novelist Avril Joy, in prison. We were both, in our own way, ‘serving time’. Avril was three quarters of a the way through a twenty-five year teaching commitment. I was  beginning what was to be a four year association with this women’s prison as a Writer in Residence. It was then that she started out on her writing career and it was then that I had the life-changing experience of helping a whole range of women from all walks of life to find their (often silenced) voice in writing.


The Novel

One of several great outcomes of this experience for me, my novel Paulie’s Web, was a long time coming. It took me ten years to digest these powerful impressions sufficiently to write this novel as true fiction - in a way that still paid tribute to the many  women I met while working there;  I thought that if it went some way to cracking the absurd stereotypes of 'women in prison' that would  be an extra delight.  It is true that there are some dark passages here in the novel but the ultimately optimistic tone of this story is a true reflection of the mutual support, humour, stoicism and kindness that I was witness to in my prison experience.

 

So, what is it about?

Paulie Smith, rebel, ex-teacher and emerging writer, comes out of prison after six years, her conviction overturned. As she moves around in the next few days, struggling to readjust to the scary realities of life
‘on the out’, she reflects on her life in prison. She focuses particularly on her first few weeks inside, alongside the four very different women whom she first met in the white van on their way to their first remand prison.

Paulie’s thoughts move from Queenie*, the old bag- lady who sees giants and angels, to Maritza who has disguised her pain with an ultra-conventional life, to Lilah, the spoiled apple of her mother’s eye, and on to   to the tragedy of Christine - the one with the real scars.

And then there is Paulie herself, who ended up in prison through no fault of her own. The unique stories of these women, past and present, mingle as Paulie - free at last - goes looking for these unique women who have now been ‘on the out’ for some years and are, Paulie hopes,  remaking their lives.



Read the Chapter introducing Queenie HERE
Or click on the tab in the heading.



Most  importantly: The Readers


*****Amazon Reviews - Samples

***** ‘… I loved the characters in Paulie's Web: their strengths, their weaknesses, their back-stories and in spite of everything - their humour.’

*****  In this exceptional and insightful novel, Wendy Robertson introduces us to the hidden world of invisible women that is prison. Her characters and their stories leap off the page at us, there are no stereotypes here, this is not Prisoner Cell Block H or Bad Girls but it is every bit as compelling. She is a consummate story-teller, who weaves a fascinating web around these disparate lives and if you want to know what prison is really like and who the women we lock away every day are then READ THIS.

***** ..’With the sharpness of a journalist and the skill of a novelist, Robertson cleverly brings all of these characters to life, making the reader care about them. She has a deft style, almost a magician's touch, in that the characters quickly take root and you feel yourself urging Paulie forward and hoping she and the others find some resolution and peace. I loved the characters in Paulie's Web: their strengths, their weaknesses, their backstories and in spite of everything - their humour…’

*****  ‘Wendy Robertson has pulled off something quite remarkable in her latest novel, Paulie's Web. I loved everything about it and read it in one sitting - on a long haul flight, something to be grateful for, even on that level.

***** ‘..Wonderful novel based on much truth of prison life impacting on women.’


***** ‘…also an argument for the way that literature and education can transform the lives of prisoners. It has as much of a good feel exit as is compatible with the plot … Wendy is a brilliant story-teller who has written more than twenty novels. This one draws on her experience of being a writer-in-residence working with prisoners. It's a fascinating glimpse behind the tabloid headlines at the unimaginably hard lives of some of those who end up in the prison system because of mental health problems, abusive childhoods, drink and drug dependency.’

Link here  Avril Joy   


Hope you enjoy it as well. wx

Sunday, 2 February 2014

The Champagne and Strawberry Book Launch

 

 My close writing friend Avril Joy and I had a great Sunday in Durham celebrating the coincidence of the launch of our very different books about our writing process.


Our books are both out on Kindle this week and out in Paperback next week.

We meet regularly to talk and to write together and encourage each other. Avril actually writes beautifully about this process in her book.

But today was to be a pure celebration. And where better to celebrate that in the beautiful Durham City? This is an old haunt – and an old inspiration - of mine .and features in several of my novels. A great place to celebrate.

 The day was a bit damp but that only added a certain sheen to the lovely old streets and to our celebration.




 








We started in the Saddler Café with strawberry tarts and coffee. 


We looked at our books on Kindle and reflected on the amazing creative processes  that allow us to share our work with loyal and lovely readers far and wide. A magical process for all writers.


Not reallu us going to the champagne bar!
The monks bringing the relics of St Cuthbert
to Durham City 




Then we moved on to the champagne bar ...




and toasted our books and ourselves and buzzed with new ideas, new projects and renewed our optimism about – well, just everything.



So just what was it that we are celebrating?

 

Click here to See Avril's Book From Writing with Love 

Click here to See my book The Romancer: A Practical Guide to Writing Fiction  
 


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