Today is the first of four sessions in the second sequence of the Back to Basics series that Avril Joy and I are runningat Bishop Auckland Town Hall. The theme for this sequence is
The Short Story.
This is very
timely as I’ve been buried for a month in the task of collecting together, ,
anthologising, revising, editing, proofing and printing twenty seven of my own
short stories. These will be published in a singe edition. Some of these stories were written fifteen years ago; some were written
much more recently.
In completing
this rather arduous task I have discovered a lot more about myself as a writer and about the
nature of the
short story.
Revising, editing, proofing, printing the collection.. And revising again, proofing again ... |
The collection
will be published this month under the title of Forms of Flight: Twenty Seven
Short Stories. The title story is about a woman, recently widowed who escapes
into a second, more vibrant life in a battered old Dormobile, painted with the
emblems of an aeroplane and a butterfly.
Writers at
every level are often asked the impossible question What Is Your Short Story About?
You might as
well ask what the moon is about? Or
what is a butterfly about? This is
truly mpossible to answer in a sentence.
Yet this is
what I have made myself do in putting together these twenty seven stories. Every collection of stories must have a
contents page. And in writing my contents page I have challenged myself to
create a strap-line (such as you might see in a magazine) for each story.
This is
because people tend not to read a short story collection as you might read a
novel: they don’t read it from page one to page 200. They tend to cherry-pick
from the list of stories, going backwards and forwards at will, So I created
the contents page with a strap-line for each story to help in the cherry picking. A bit like pinning down butterflies, but here goes...
See the
Contents Page for Forms of Flight below. How would you cherry-pick?
(Today in the workshop we will ask ourselves What is a Short Story?. I will report back here on the inspired answers to this question…)
But first – here is the Contents Page
for
Forms of Flight: Twenty Seven Short Stories.
1.Painting
Matters: ‘ …his black
hair shot up from his head and was cut oddly short at the side and. He was
clutching big square parcel which he hoisted so she could see the label. ‘Emma Unthank
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14
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2.Chaos
Theory and Frost on Grass: Lilah gets drunk and makes a new young friend…
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31
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3.My
Name is Christine: -
Christine tries time and again to rescue herself from self-harming oblivion.
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51
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4.
1913. The Making of a Man:
Rites of passage on a boy’s first day down the pit.
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73
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5.1936.
Vi’s Shifts: Stoical, humorous Vi, with her husband
Ralph and a son both in the pit, and a son at school, works three shifts a
day
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87
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6.Joe,
Theo and the Silver Ghost: The
unspoken love between Joe and his workmate Theo threatens Joe’s marriage.
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101
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7.The
Story Of An Unusual Marriage:
Imogen and Freddie live their own lives almost unbeknownst to each other
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113
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8.Oh
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110
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9.The
Nature Of Art: Using
his phenomenal memory he painted pictures of the teaming city that were
somehow drenched with the light and the movement of the ocean..
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133
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10.
A Cloak with Pentacles:
‘takes the cloth from her and strokes it with a forefinger pocked with the
prick of needles as though teased by a
nutmeg grater
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139
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11.Queenie
and the Waterman:
Queenie is a bag lady who sees angels and giants and lives an enchanted life
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143
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12.
Sandy Cornell Saved My Life:
A hounded adolescence saved by the
gift of friendship
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159
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13.The
Paperweight: A chance meeting with dark edges on a rainy
night.
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169
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14.
Knives: A man who
likes playing war with toy soldiers learns a true life-lesson about knives.
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177
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15.The
Glass Egg:
She looked up to see a shadow looming across the glass roof-light.
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191
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16.
The American. ‘Oh,
really?’ The voice was American, a soft West Coast sound. ‘You people really
read these things?’ He leaned across, picked up the Sylvia Plath…
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213
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17.
1946. My First London Spring: My journey to London was a kind of
pilgrimage,
eager as I was to fulfil a promise to Josey Atkinson, one of the friends who
had died in the cold. I
still had his address, on the back of one of my drawings.
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219
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18.Turpentine. Embarrassment uncoiling in her
senses, made her notice more intensely the smell of peppers in the gypsies
food and the turpentine scent of the painter’s oil paints.
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233
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19.International
Relations: She brought the tales home to Patrick and
they would giggle helplessly over their evening drink: Perrier water for him,
gin and tonic for her.’
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249
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20.Corn
Rows: ‘… blew her long hair dry, watching it rise
away from the dryer like lifted silk ‘What beautiful hair you have, dear,’
said the old woman, looking up from her puzzle book
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239
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21.
Still Life. ‘Sometimes,
without picking up a brush or pencil, the girl would sit hunched on her stool
staring out of the windows.’
22.
The Psych and the Poet:
She sat down and faced hi across the
table. ‘‘If you’re going to do word association or show me inkblots like the
last fucking shrink you can get lost.’ 280
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254
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23.
Letter to Emily:
‘Miss Lottie, the children!’ she said grimly. ‘According to your father you
have been a little mother to your own sisters, I have seen little evidence of
such qualities in my house. ‘See to your charges!’
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294
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24. Josephine’s Englishman: ‘When M’selle Josephine visited us
Amalie was always on edge, uncharacteristically bad tempered. It took me some
years for me to realise that this was
caused by jealousy.
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311
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25.
Forms of Flight: ‘Air
Force trained him as a navigator. When he saw the land from the sky he said
it fired his Romany blood
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321
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26.
Spider: ‘He has marked a column, headed Knife Attack on Welder. There is a photo of a handsome man in his
mid thirties
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327
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27.
How I Became a Painter:
Edgar realised his friend was telling the world This is me!
in defiance of his father who’d never been comfortable about his son’s
soft habit of drawing every dratted thing he saw:
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339
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