My
highly literate reading friend Hugh brought in a copy of David Almond’s fascinating
collection
Half a
Creature from the Sea; a life in Short Stories.
This will be discussed at the next meeting of Hugh’s Reading group in
Spennymoor. I was instantly interested as David is an old friend and colleague
of mine. (I remember seeing the first manuscript of his fabulous prizewinning
novel Skellig.)’ In my opinions David is the most significant writer of his
generation. Digging into the real, the surreal and imaginative truths of children’s lives in
the Twentieth Century.
His writing workshops, like his stories, are simple and complex, ambitious
and accessible.
I asked my friend Hugh what he thought of Half a Creature from the Sea; a life in
Short Stories. He loved it. 'These stories are enchanting, highly imagined; an extraordinary mixture of realism and magic. And there is an invaluable accompanying narrative linking them to his life: how stories are an interesting blend of preparation and inspiration.'
FOR YOU!
Extract from David Almond’s book of short stories Half a Creature from the Sea.harry miller’s run
I have quoted it here in full because it is an experience we shared when I was writer in Residence at Low Newton Women's Prison and I appreciate the truth of what he says here and his mentioning Avril and me. We had many visiting writers during my time there and he was the best.
Page 106 “… to prepare to write
the story I went to watch the run. That morning I’d arranged to give a writing
workshop at low Newton women’s prison in Durham along with the writers Wendy
Robertson and Avril Troy who ran the (creative writing) program there.
When I arrived I was guided through a series of
gates and doors by uniformed prison officer. Each one was unlocked, opened,
then shut and locked again. Keys jangling steel clanged.
I was taken to a library and with a few arm chairs
and tables and it. Then the women came in. They were shy at first, may be
suspicious, but they soon relaxed. I talked about my life and my writing.
We did a couple of quick imagination exercises,
made a a few first scribbles. Some of the women began to tell me about their
own lives in childhood. They hinted at the difficulties deprivation and abuses
they’d endured they talked about the constriction of being in this place, about
the fellowship they try to develop with each other, and the inevitable
frictions and fights. Many of them wanted to write about themselves, set to to
somehow turn their lives into coherent stories.
I said that
fictionalising in your life can make it seem more real and can make difficult
personal experiences more bearable. We scribbled again, and began to shake the
scribbles into narratives. Before I left one of the women suddenly said, ‘ I’m like you David. My childhood was like
yours.’
She laughed.
’And look where I’ve ended up!’ she said.
I was led back through the clanging doors. At the
exit Avril told me that there was much more the women could have said.
‘ They’ve had some awful journeys,’ she said. “
……………………………………………………………………….
Afternote: My book Paulie' Web is the creative outcome of mytime in Low Newton over three years, as Writer in Residence
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